When I first thought about starting an indie game company, I spent days researching whether it would allow me to support our growing family. I think it's fantastic that indie devs have a culture of sharing their sales figures to the public, because without seeing others succeed I never would have dared to start. Now it's my turn to tell others what one can expect from a PC only downloadable roleplaying game like Driftmoon.
My original research from 2010 showed that if I made a good downloadable game, I could reasonably expect at least $10000 if we got enough positive exposure in the press. Not enough to live on, but at least a start. Back then there was a huge rush for the preorder model used by Overgrowth and Minecraft, so I opted to try that as well. By Christmas 2010 we started selling our very own game, Driftmoon: It was my eighth game, and my very first professional endeavor. Also it was the first game created in collaboration with my lovely wife Anne. We were thrilled when the first customers bought it! And we're extremely thankful for every customer we've ever had! 
Sales per year:
2010: $1145 + $66000 prize money
2011: $2308
2012: $4188
2013: $53850
2014 (first half): $43307
Total: $170798
In addition, Driftmoon has raised tens of thousands for charity, yay!
The prize money in 2010 is the Sammon Tekijät prize, but it's not just for my work on Driftmoon, so you might want to count that out. But it's money in regardless.
These figures only contain the gross income, without deducing any of our costs or even taxes (which can be a huge percentage in Finland). I figure that there are two models for success in the indie business, either A) Keep your costs down to a minimum and try to turn your own labor into money, or B) Spend loads of money to make the game more appealing in hopes of making more sales or getting a higher price. I opted for keeping the costs down to a bare minimum, because I didn't have any cash to spend for the game, and I didn't want to take a loan. Having no extra money gets you into the proper indie mindset!
Driftmoon was released in February 2013, so that's when our preorders ended. We made about $10000 from the preorders, which was a lot more than we expected, but more importantly, it gave us the motivation to keep going! On the other hand, the lengthy preorder phase might have eroded some of the newness from our actual release. I have no hard facts to prove it, but I found that it was a lot easier to get sites that cover news stories interested about the initial preoder release - getting them interested in the fact that it had now been released for real was a lot harder. In retrospect, we might have generated more hype by starting the preorders just months before releasing, and not over two years before releasing.
There was one big change in the indie game business that had happened between 2010 and 2013. Some of the bigger online stores had started selling indie games, and many retailers asked us to join them, most prominently GOG.com and later on Steam. At first I thought it might be a bad idea to sell through other stores, because then they would own the customer, and I wouldn't even know the customer's email in case I want to update them about a new release. Also they take, in my opinion, a rather large cut from the sale. I didn't know what to do, but in the end we decided that we'd better just get the game to as many players as possible, and maybe they would buy our next game as well. I figure we've only gotten about 20% of the money through our own storefront, so I suspect we made the right choice.
Thinking about how much money we get for an hour of work, I would need to estimate how much time we spent on making the game. I figure during the seven years (working on the side of our day jobs) it adds up to about 7000 hours. I could be off by thousands. But for that amount my hourly rate would be about 24 dollars per hour, which isn't bad, it's nearly half of what I would have to pay to a plumber or an electrician in Finland. So for every two or three hours I spend working on my own games, I can get someone to work an hour on renovating our house!
When you're reading stats like these, and thinking about starting your own company, do keep in mind that failed projects rarely reveal their sales figures. In fact, finishing and releasing the game at all is the hard part. It took us seven years to make Driftmoon, and it wasn't all fun and games - developing a game can at times be incredibly stressful, and we were close to a burnout several times. I would not recommend a project that spans nearly a decade to anyone, except someone who is very passionate about games.
And that brings us to my closing remarks. When originally researching whether I could support my family by making games I realized something important. There's no way to guarantee any kind of minimum income from this business, making a game is always a financial risk. If you make a mainstream game, you might get lost in the crowd of similar games. If you make a niche game (e.g. flight simulator), reviewers might overlook it because their readers only like mainstream games. If your niche is small enough, it might be up to just one site to make it possible for you to reach your audience. If you started making a zombie game a few years back, you might suddenly find out that zombies are no longer fashionable. How I see it, is that you should not make indie games for the money alone. If you're just looking to get rich, go make insurance software. Making games is a high risk business, you might get more money out than you put in, but that's far from being certain.
But if you have a game floating around in your head that must come out, if there are whole worlds just waiting to unfold, and to be shared with others - that's when you should make indie games! That way, whether your game makes a profit or not, you will still have made the game you wanted to make. And chances are, your game will have completely transformed the lives of billions of players all around the world! 
Here comes a small bugfix update, special thanks to Ryman! This update fixes one of the rarest, but most disappointing bugs I've ever encountered.
My first indication was that one or two players stated that the game was spectacular, but the end was kind of disappointing. We actually tried to ask further about that, but unfortunately didn't get any meaningful answer about it, so we just assumed that it's not possible to make everyone happy. But finally today I got a feedback from someone who saw the problem - the game was completely freezing for him just before the actual ending and all the cool bits. Fortunately the bug was very rare, but we wanted to fix the problem right away. If you were affected by a peculiarly abrupt ending, all you have to do is update, and load a save from before entering the last area.
- Fixed getting stuck in the game's very end.
- Fixed error on Eione with the player being named Robert.
- Fixed error with player's companions still avoiding the wall of fire in Eldar's Tomb even after it had vanished.
Uncovering among other things Anne's mysterious psychology background, here comes the DarkZero interview.
If you're interested in Driftmoon, this video review will only take you 72 seconds. Yes I know, it's 12 seconds overtime, but it's very thrilling and will keep you on the edge of your seat for the whole time.
Welcome Steam, our newest retailer! If you've ordered Driftmoon earlier through our own storefront, you should already have your Steam redeem key in your email, so go redeem your copy. And from this moment forward, direct customers through our site will receive a Steam code as well as a regular Driftmoon key the instant of their purchase.
And to address two popular questions, will Driftmoon have Steam achievements, and will it have trading cards? The answer is, yes, and yes. It will have both, as soon as we can release the new version that includes them. We'll let you know when it's ready.
Before you go play that Steam version of Driftmoon, I want to post this quote from a guy who worked on Ultimas 1 through 7, plus the Worlds of Adventure, and consulted for Ultima Underworld, and on top of that, chatted with my wife Anne. Being a huge fan of Ultima 7 (or Ultima VII), I'm just too eager to share it:
"I just finished playing Driftmoon, yesterday, and I have to tell you, Anne, that it is by far THE BEST RPG I've ever played (this coming from someone who used to make RPGs for a living)"
Wasn't that nice? Certainly, even if Driftmoon turns out not to be the best RPG out there, it certainly has the best fans.
Ps. Feel free to review Driftmoon on Steam. Hint, hint, nudge, nudge... 
Ps2. Go check out the brand new orchestral pieces by Gareth Meek, Driftmoon's wonderful and talented composer: "Zero", "The Horizon is Scarlet", and "Relentless Barrage". And if you don't have the Driftmoon Soundtrack yet, I'm sure Gareth would be thrilled to get your support.
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